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      <image:title>One Urban Indian - City College of San Francisco: down but not out</image:title>
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      <image:title>One Urban Indian - Berkeley: Local Paradise</image:title>
      <image:caption>Gurachi's interpretation of the author, hard at work in Cafe Yesterday. See more at www.berkeleybeings.blogspot.com</image:caption>
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      <image:title>One Urban Indian - Hipsters, Creative Culture . . . and pretty much everything I have left to say about Richard Florida</image:title>
      <image:caption>The case for creative placemaking: the Sustainable Cities Collective argues for urban swings and other interventions that make cities memorable.</image:caption>
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      <image:title>One Urban Indian - Hipsters, Creative Culture . . . and pretty much everything I have left to say about Richard Florida</image:title>
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      <image:title>One Urban Indian - Hipsters, Creative Culture . . . and pretty much everything I have left to say about Richard Florida</image:title>
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      <image:title>One Urban Indian - Hipsters, Creative Culture . . . and pretty much everything I have left to say about Richard Florida</image:title>
      <image:caption>The Hub Zurich is part of an emerging global network of collaborative spaces where entrepreneurs and social innovators come together to realize their ideas for a sustainable society. With dozens of locations, and more on the way, The Hub provides flexible work, meeting and event space to create a habitat for social innovation. Image via ConceptualDevices</image:caption>
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      <image:title>One Urban Indian - Hipsters, Creative Culture . . . and pretty much everything I have left to say about Richard Florida</image:title>
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      <image:title>One Urban Indian - Hipsters, Creative Culture . . . and pretty much everything I have left to say about Richard Florida</image:title>
      <image:caption>Map via Buzzfeed</image:caption>
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      <image:title>One Urban Indian - A Coffee-Flavored Addendum . . .</image:title>
      <image:caption>The East Village's Molecule Cafe sells only filtered tap water, which, according to the restaurant owners, is free of fluoride, chlorine and other metals, thanks to a $25,000, 8-foot-tall machine that treats its product via reverse osmosis, ultraviolet light, and ozone.</image:caption>
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      <image:title>One Urban Indian - A Coffee-Flavored Addendum . . .</image:title>
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      <image:title>One Urban Indian - A Coffee-Flavored Addendum . . .</image:title>
      <image:caption> Designed by Innarch, the Don Cafe House in Pristina, Kosovo is a sculptural tribute to the warm, earthy organic beauty of the coffee it serves. At once decorative and functional, it's a great example of a creative urban space.</image:caption>
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      <image:caption>Dandelion, a friend and Santa Cruz - San Francisco electronic music regular, is part of the tight-knit community that brings events like Symbiosis to life.</image:caption>
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      <image:caption>Bay Area Photographer Tom Tomkinson captured Bryan Tedrick's Coyote for Rolling Stone. The 25-foot sculpture provided a hangout spot and chance to meet new friends at this year's Burning Man before traveling to Symbiosis just a few weeks later.</image:caption>
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    <lastmod>2014-10-09</lastmod>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
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      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/52f57691e4b0c5c8957fa161/1391818386971/Kenny_camera.jpg</image:loc>
      <image:title>One Urban Indian - Gung Hey Fat Choi: Happy New Year!</image:title>
      <image:caption>Just sorted through shots of this year's Chinese New Year at 1015 Folsom - special thanks to Kenny Hoff for his great shots!</image:caption>
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  <url>
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      <image:title>One Urban Indian - Truth, Beauty and the Cult(ure) of Images</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/5308695ae4b01885d3156c7a/1393060190690/Photoshop_facebook-statistics-sm.jpg</image:loc>
      <image:title>One Urban Indian - Truth, Beauty and the Cult(ure) of Images</image:title>
      <image:caption>Source: KISSmetrics</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2013/10/25/staking-their-claim-urban-homesteaders-draw-the-intellectual-property-lines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-02-26</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/526acf51e4b09b70853c7c27/1382731603490/Ruby+Blume.jpg</image:loc>
      <image:title>One Urban Indian - Staking Their Claim: Urban Homesteaders draw the (intellectual) property lines</image:title>
      <image:caption>Ruby Blume, co-author of Urban Homesteading: Heirloom Skills for Sustainable Living  was sent a cease-and-desist letter claiming that the term "urban homesteading" was a registered trademark of the Dervaes Institute in Pasadena. .</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/526acfcbe4b0183a6961bff6/1382731727189/Urban+Homesteading+Cover.jpg</image:loc>
      <image:title>One Urban Indian - Staking Their Claim: Urban Homesteaders draw the (intellectual) property lines</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2013/10/29/hollow-appropriation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-02-26</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/5270741fe4b092453e1cde98/1383101472146/IndianHonoringYou.jpg</image:loc>
      <image:title>One Urban Indian - Hollow Appropriation?</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/52706e60e4b01bbb252d9b7f/1383100003350/118.png</image:loc>
      <image:title>One Urban Indian - Hollow Appropriation?</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/3/27/matter-out-of-place-matter-in-place</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-03-28</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/53352fa0e4b0e0212de91b3c/1395994528487/</image:loc>
      <image:title>One Urban Indian - Matter out of Place, Matter in Place</image:title>
      <image:caption>Martha Stewart, whose dogmatic DIY-iscm can seem over-the-top and has gained her criticism over the decades she has spent as a home-design and lifestyle maven, frequently includes notes on collecting. In one sense, she is similar to Benjamin's true collector, a man of such excess leisure that he has the time to dedicate himself to his passion (after all, who, but someone with too much time on their hands, could patiently glue micro-collections onto accordion-folded pages contained within a matchbook?). And yet, Stewart also shares with him the idea of collections as self-defining.  She has a very Benjamin-esque interpretation of the art, looking more at how collections enrich our spaces through juxtaposition and surprise, becoming an outward expression of personality, rather than conforming to strict rules about category and worth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/5334bed5e4b0681b8cd3eccc/1395965666489/</image:loc>
      <image:title>One Urban Indian - Matter out of Place, Matter in Place</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/53348eefe4b0bce84cfbbc47/1395953392245/</image:loc>
      <image:title>One Urban Indian - Matter out of Place, Matter in Place</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/533530ffe4b08e81fa558538/1395994887536/</image:loc>
      <image:title>One Urban Indian - Matter out of Place, Matter in Place</image:title>
      <image:caption>The popular home design and lifestyle website Apartment Therapy frequently relies on the idea of collecting as a method of making a space meaningful for its occupants. For a great collection of their articles on collecting, click through the photo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/3/28/spring-festival-report-leaving-the-garden-part-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-10</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/5336148ae4b0d0e7955a7ea6/1396053160599/Springfestivalreport_aurora.jpg</image:loc>
      <image:title>One Urban Indian - Spring Festival Report: Leaving the Garden</image:title>
      <image:caption>Aurora after its Novermber, 2013 installation in Palo Alto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/53361b7ee4b0a346f5f8adab/1396054917943/</image:loc>
      <image:title>One Urban Indian - Spring Festival Report: Leaving the Garden</image:title>
      <image:caption>Homouroboros: the snake, the apple, good and evil</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/533619e9e4b0d8871f15d7ca/1424669069159/</image:loc>
      <image:title>One Urban Indian - Spring Festival Report: Leaving the Garden</image:title>
      <image:caption>Infinitarium by Karen Cusolito and crew: a glowing mutant garden that could only grow out of the soils of the Black Rock Desert.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/7/30/valuing-public-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-20</lastmod>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/8/1/coachella-co-chew-a-bless-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-12</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/53db340ce4b05c3a22f13ee4/53db340fe4b0ed021e4e795e/1406874652013/DSC06998.JPG</image:loc>
      <image:title>One Urban Indian - Coachella, Co-chew-a . . .  Bless me!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/53db340ce4b05c3a22f13ee4/53db3840e4b0acb5ce337b62/1406875745174/IMG_20140410_202144_447.jpg</image:loc>
      <image:title>One Urban Indian - Coachella, Co-chew-a . . .  Bless me!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/53db340ce4b05c3a22f13ee4/53db340ee4b0ed021e4e7958/1406874639110/DSC07191.JPG</image:loc>
      <image:title>One Urban Indian - Coachella, Co-chew-a . . .  Bless me!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/53db340ce4b05c3a22f13ee4/53db340fe4b0ed021e4e795c/1406874642365/DSC07932.JPG</image:loc>
      <image:title>One Urban Indian - Coachella, Co-chew-a . . .  Bless me!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/53db340ce4b05c3a22f13ee4/53db340fe4b040c0690ec7dd/1406874652153/DSC06843.JPG</image:loc>
      <image:title>One Urban Indian - Coachella, Co-chew-a . . .  Bless me!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/53db340ce4b05c3a22f13ee4/53db340de4b0ed021e4e7956/1406874645189/UTSanDiego_Sean_M_Haffrey_smhcoachella337376x005_r940x635.jpg</image:loc>
      <image:title>One Urban Indian - Coachella, Co-chew-a . . .  Bless me!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/53db340ce4b05c3a22f13ee4/53db340ee4b0ed021e4e795a/1406874639505/DSC07369.JPG</image:loc>
      <image:title>One Urban Indian - Coachella, Co-chew-a . . .  Bless me!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/53db340ce4b05c3a22f13ee4/53db340fe4b040c0690ec7db/1406874659516/2squared1.jpg</image:loc>
      <image:title>One Urban Indian - Coachella, Co-chew-a . . .  Bless me!</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/11/10/we-stepped-out-and-stepped-it-up</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-11-11</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/546186f6e4b0efbe94327079/1415677689934/</image:loc>
      <image:title>One Urban Indian - We Stepped Out and stepped it up.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/546187b8e4b02a78c5fd8c59/1415677882191/_MG_0445+%281%29.jpg</image:loc>
      <image:title>One Urban Indian - We Stepped Out and stepped it up.</image:title>
      <image:caption>Stay Tuned, more shots to come! In the mean time, check out slideshows here and here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/7/28/back-in-cleveland-and-aint-it-grand-</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-02-05</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/54d2f331e4b04ea9b330892c/1423110965012/Parade+the+circle+2014+_+Philip+Brutz.jpg</image:loc>
      <image:title>One Urban Indian - Back in Cleveland, and Ain't it Grand . . .</image:title>
      <image:caption>Photo by Philip Brutz, a real renaissance man.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/53d6fbece4b07a1cdbbb2eff/1406598128264/</image:loc>
      <image:title>One Urban Indian - Back in Cleveland, and Ain't it Grand . . .</image:title>
      <image:caption>. . . or just me, pretending, during Cleveland Museum of Art's annual Parade the Circle, the Best Fest in the North . . . east.  Photo courtesy Scene Magazine  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/10/6/step-out-cleveland-shake-off-the-rust</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-11-11</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/543343bce4b0f843e7e788de/1412645826445/StepOut_Logo.jpg</image:loc>
      <image:title>One Urban Indian - STEP OUT, Cleveland: Shake off the Rust!</image:title>
      <image:caption>This November, LAND studio, Cleveland Public Library, and the Global Center for Health Innovation will welcome Clevelanders of all backgrounds to join up and get down together -- exploring dance as a social art, cultural expression, and great way to have some good fun!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/54618674e4b042c56b615c96/1415677574984/STEPOUT_Facebook.jpg</image:loc>
      <image:title>One Urban Indian - STEP OUT, Cleveland: Shake off the Rust!</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/2/7/we-need-some-raindance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-09</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4c3e4b00038dfdb9f61/1412822225399/Fish.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4ece4b08989f8c8358a/1412822258628/Lanterns.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4c9e4b08989f8c83533/1412822220957/Fish_InProgress.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4cfe4b08989f8c83545/1412822238963/Fish2_InProgress.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4d7e4b08989f8c83553/1412822239496/OrchidsandCranes.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4e0e4b08989f8c8356b/1412822242983/Orchid_InProgress.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4e5e4b08989f8c83576/1412822249491/TeaLounge.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4f6e4b08989f8c835a4/1412822271090/FireLoungeNew.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/5435f4bae4b0d50b0eec8477/5435f4ffe4b08989f8c835af/1412822275857/PingPong.jpg</image:loc>
      <image:title>One Urban Indian - We need some Rain(Dance)!</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/3/30/more-on-leaving-the-garden-does-placemaking-mean-playgrounds-for-the-urban-elite</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-10</lastmod>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2013/9/29/stem-education-or-flowers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-10</lastmod>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2014/10/10/clevelands-brain-gain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-10</lastmod>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2015/1/19/briters-better</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-20</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/54bcc429e4b0bc3a597534ea/54bcc856e4b04c160a396202/1421658240063/cracks-4.jpg</image:loc>
      <image:title>One Urban Indian - Briter's Better!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/54bcc429e4b0bc3a597534ea/54bcc43ce4b08185611bd5cd/1421657150396/Flame+Sampler+2.jpg</image:loc>
      <image:title>One Urban Indian - Briter's Better!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/54bcc429e4b0bc3a597534ea/54bcc559e4b060f2e987ffd1/1421657445877/Ice+Backdrop_10x20_Graphic.jpg</image:loc>
      <image:title>One Urban Indian - Briter's Better!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/54bcc429e4b0bc3a597534ea/54bcc42fe4b0bc3a597534f8/1421657137116/Flame+Sampler+1.jpg</image:loc>
      <image:title>One Urban Indian - Briter's Better!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/54bcc429e4b0bc3a597534ea/54bd318fe4b0b5bb4bf5c34a/1421685147642/Ice+Backdrop_small.jpg</image:loc>
      <image:title>One Urban Indian - Briter's Better!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/54bcc429e4b0bc3a597534ea/54bcc4e6e4b06ac274553210/1421657322164/flame_runner.jpg</image:loc>
      <image:title>One Urban Indian - Briter's Better!</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-indian/2015/7/19/brite-winter-wrap-up</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-07-20</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/55ac60c1e4b01d02078baf84/1437360322041/Brite_HIgbees.jpg</image:loc>
      <image:title>One Urban Indian - Brite Winter Wrap Up!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/55ac5f7fe4b02f26a516d74d/1437360000137/</image:loc>
      <image:title>One Urban Indian - Brite Winter Wrap Up!</image:title>
      <image:caption>A London Market, and many more around the world.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/t/55ac6082e4b004612081052b/1437360261946/</image:loc>
      <image:title>One Urban Indian - Brite Winter Wrap Up!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/55ac6371e4b0fa09c1f6b6a5/55ac638ee4b03d1c8c9ea677/1437361040524/16615604335_6ad48bfc4c_h.jpg</image:loc>
      <image:title>One Urban Indian - Brite Winter Wrap Up!</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/55ac6371e4b0fa09c1f6b6a5/55ac6372e4b0fa09c1f6b6a6/1437361010460/16614973092_4a0e4ef509_n.jpg</image:loc>
      <image:title>One Urban Indian - Brite Winter Wrap Up!</image:title>
    </image:image>
    <image:image>
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      <image:title>One Urban Indian - Brite Winter Wrap Up!</image:title>
      <image:caption>Ice palaces are seen all over the world as otherworldly winter amusements . . . see more examples here!</image:caption>
    </image:image>
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      <image:caption>Holiday Shoppers at Higbee's enjoy the holiday tree and good company . .  .</image:caption>
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      <image:title>Event Design - Design Process: Concept Sketch</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco</image:caption>
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      <image:title>Event Design - Design Process: Concept Sketch</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco</image:caption>
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      <image:title>Event Design - Design Process: Concept Sketch</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco</image:caption>
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      <image:caption>Large-Scale Multi-Media Set Peices: Koi Fish (Crepe, Glitter, Blacklight paint, 8-10' fish, lilly pads, foam waterlily flowers)  Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Fabrication</image:title>
      <image:caption>Large-Scale Multi-Media Set Peices: Koi Fish (Crepe, Glitter, Blacklight paint, 8-10' fish, lilly pads, foam waterlily flowers)  Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Concept Sketch</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco</image:caption>
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      <image:title>Event Design - Design Process: Installation</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Installation</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Concept Sketch</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Fabrication</image:title>
      <image:caption>Large-Scale Multi-Media Set Pieces: Orchids (Translucent Foam, Fabric, Pearls, Glitter, Blacklight Paint) 2-3' in diameter, mounted on 20' fabricated foam branches. Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Installation</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Installation</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Installation</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Concept Sketch</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco</image:caption>
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      <image:title>Event Design - Design Process: Live Event</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>Event Design - Design Process: Live Event</image:title>
      <image:caption>Year of the Snake Chinese New Year celebration at 1015 Folsom, San Francisco  </image:caption>
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      <image:title>For Love of the Boy - For Love of the Boy</image:title>
      <image:caption>A naughty musical comedy about the conservative inhabitants of a small town in Anywhere, America, who must brave the streets of New York City to save the pastor's gay son from a menacing musical-writing predator.</image:caption>
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      <image:caption>Design, at the human scale, a piece of furniture made from exactly one whole 4' by 8' sheet of 3/4" plywood that supports the body while maintaining a gap of exactly 3/4" between perpendicular plains.   Yale Design Studio  </image:caption>
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      <image:caption>Using no glue or fasteners, the project exercises an economy of means, and supports the human body over a precise separation of 3/4" between perpendicular planes. Yale Design Studio.</image:caption>
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      <image:caption>Map (left) reveals an abundance of community gardens (shown with labels) in the Tremont Crotona Neighborhood of the Bronx, despite the region's significant access to public park space (dark green). Community gardens serve a different social function from public parks, and are necessary supplements. Map (right) shows buildings in grey, revealing that lots have very limited built footprints: small-scale urban gardens are less about providing open space than about providing community space. Maps Courtesy  OasisNYC, (Open Accessible Space Information System), edited by intertexture.</image:caption>
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      <image:caption>Birmingham, England, in 1886 - Note the slums and smokestacks in the background. These early exo-urban areas became the first sites on which a “rationalization” of the land took place on a large scale.  The metastasizing growth of European cities during the industrial revolution led, for the first time, to the view of spontaneous, organic growth as impure and fundamentally flawed.  The hygienic, social, and political concerns that accompanied this rapid phase of expansion only lent weight to the argument for creating order and legibility out of “chaos.”  Haussmann’s  infamous boulevards in Paris, which he laid in place by carving broad swatches out of the city fabric, were no more highly visible than historic tropes of urban monumentality (think triumphal axes in Rome) but, by cutting through poor, dangerous and “rebellious” areas of the city, and broadening the streets so they couldn’t be barricaded by revolutionaries, Haussmann was an early example of the use of landscape to address a social condition.  This type of highly readable solution—the spatial imprinting of values—continued with the “progressive” urban planners, for whom rational modernism became the solution for everything from drunkenness and vagrancy to typhoid. A utopian clarity sprung up not only in designs responding to urban conditions like slums and tenement districts, but also, in suburban and rural areas, far removed from such dire spatial circumstances.   Utopian model cities and factory towns, such as New Harmony, Indiana, and Pullman, Illinois, dotted the ever-expanding American frontier, their checkerboard streets hopeful miniatures the national grid on which they rolled west.   The salubrious effects of such carefully calibrated towns could be clearly read in their manicured green spaces, ornamented brick buildings, and flower gardens, which stood out in sharp contrast not only to the dense, dark cities, but to “wild” nature, as well.  Perhaps the apex of the modern city arose from the French-Swiss architect Le Corbusier, whose solution to urban complexity was the famous plan for the Ville Contemporaine, The City for Three Million, which called for the razing of central Paris  and the insertion of a series of identical skyscrapers corralled at regular intervals within a flat, rectangular urban park.    </image:caption>
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      <image:caption>Ecological Consciousness and the Legacy of Ujamaa The loss of indigenous wisdom, which accompanied the supplantation of complex local traditions of land-use with modern, technocratic methods, had drastic environmental impacts.  In Policy Implications on Environment: The Case of Villagisation in Tanzania, Idris Kikula documented the results of a detailed study in five Tanzanian districts, exploring how the rapid replacement of traditional land use with “developmentalist” methods had led to land degradation.  He presented findings on desertification, soil erosion, debris and land slides, deforestation as a result of wood fuel shortage, and distress of indicator species as a general sign of the overall decay of ecosystem health. The main culprit, in Kikula’s study, was the replacement of shifting systems of agriculture by stationary settlements, and thus, the discontinuation of beneficial practices such as the burning of vegetation, green composting, and fallowing.  Stationary settlement likewise increased the intensity of point-wise stresses on the land, leading to deforestation and erosion, the condensed forms of which are much harder for ecosystems to recover from, as compared to dispersed forms.  Furthermore, the abandonment of traditional methods of inter-planting, in favor of the more aesthetically legible and economically motivated practice of monoculture, led to increased need for pesticides, herbicides and fertilizers.[1] Kikula’s findings clearly demonstrate that faith in the “science” of high modernism could trump the science of ecology, with disastrous consequences for the environment.  Certianly, this faith in the westernized developmental aesthetic was a departure from the traditional attitudes toward the land that had evolved slowly, and in concert with the actual ecosystems which farmers depended on.  The lack of understanding that planners demonstrated for this symbiosis not only affected the health of the land, but the policy of villagization itself.  In examining the underlying systems of thought which overrode traditional attitudes toward the land, replacing them with a new environmental ethic that enabled such a radical and (most agree) catastrophic treatment of the land in the ujamaa system, Yusuf Qwaray Lawi, from the University of Dar es Salaam, argued that local attitudes are important in assuring a policy’s success.  In his detailed case study of forced villagization (Operation Vijiji) in the Eastern Iraqwaland region of Tanzania, Lawi cites not just the wholesale disregard of local environmental knowledge, but also the disregard for local ecological consciousness, as a reason for the policy’s failure.  The Iragw people, unaccustomed to the whole set of western land-use norms introduced by Operation Vijiji, including stationary settlement, mechanical cultivation, and perhaps, most tellingly, the radical concept of farming not for subsistence, but for surplus, were nonetheless expected to comply with legislation which grew out of these imported values, rather than their innate ones.  Not surprisingly, the regulations of vijiji were widely ignored, resulting in low levels of cooperation, and ultimately, production.  Farmers coerced into leaving their traditional settlements moved to new villages only temporarily, making a show of inhabiting their government-issued homes, only to return to their huts in the cover of darkness.  When this tactic was discovered, and government officials took to burning and dismantling villagers’ huts, the peasants nonetheless returned at night, sleeping in the burnt ruins, or pulling together dismantled walls for shelter, only to re-collapse the shelters each morning before returning to their decoy homes in the government camps.[2]   Sustainable Development from the Inside Out In the introduction to his book, Kikula notes that part of the reason for his study is to clarify, for the actual inhabitants of the areas affected, the specific environmental problems that their ecosystems face.  Without such an action, the attempt to impress upon local policy-makers, in the wake of the ujamaa era, the importance of environmentally-sensitive actions, would be fruitless.   For him, perception is essential for planning strategy--the main significance of local people’s perceptions of land degradation lies in the future planning of rehabilitation of the degraded environment.  He notes the dichotomy between “inside” (local, non-western) and “outside” (Western) views as they create policy in Third World countries—warning of the disparity as it applies to the treatment of existing land and environment problems.  Thus, we see the potential for a cyclical crisis to develop in the relationship between Western and Nonwestern land-use mentalities, and it is made clear in the perfect storm of Tanzania’s policy of ujamaa villagization, and the corresponding aftermath:  the replacement of nuanced and sensitive traditional relationships to local landscapes by western developmentalist attitudes has created social and environmental problems which must be addressed, and which are once again vulnerable to the overbearing influence of Western culture.  Thus, there is the need for a break in the cycle—the substitution of beneficial land-use policies that come from within.  Patrick M Dikirr contended that ever since the Brundtland report of 1987, [5] and the 1992 Earth Summit in Rio de Janeiro, [6] the standard consensus has been that ultimately,  bottom up solutions are needed to genuinely address the problems facing Africa (and third-world countries in general.) He writes, “The future of Africa, according to this logic, lies ultimately not so much in slavishly emulating Western models, skills and ideas, but rather, in developing and implementing homegrown, local specific, corrective responses.”  Such responses, according to prominent Nigerian novelist and thinker Chinua Achebe, must fulfill three requirements: firstly, they must come from Africans themselves, and secondly, they must be sensitive to the history of developmentalist thought, and under-development of Africa by the West.  Thirdly, they must, while keeping on the front burner the survival needs and legitimate aspirations of populations locked in poverty and underdevelopment, not compromise the goals of environmental conservation. [7] What is crucial to note, in conjunction with Achebe’s three points, is the fact that top-down, utopian western schemes have so frequently been accepted without resistance in recent years, because populations are already so desperate and disadvantaged by the cycle of underdevelopment.  As he makes clear, then, any attempt at environmentally conscious policy must readily address the very real issues of poverty, while steering clear of the types of top-down strategies which readily perpetuate the cycle.    [1] Kikula, 1997 [2] Lawi, 2007. [3] Ibid., p. 70 [4] Kikula, 1997, p. 14-15 [5] Drafted at the World Commission on Environment and Development, also called “Our Common Future,” Oxford University Press, 1987 [6] The United Nations Conference on Environment and Development, see “Rio Declaration on Environment and Development,” 1992. [7] Journal of Pan African Studies, Vol.2, No.3, 2008 p. 84</image:caption>
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      <image:caption>Ujamaa Village Plan, showing rectangular cultivation plots surrounding a village center with civic and light commercial buildings. (Rural Setlement Commission, 1964.)  Villagization's overly rigid design discounted the importance of community and focused on agriculture for production rather than subsistence, eventually hastening a migration away from the land and into cities, where rapid urbanization and slum formation folloed.</image:caption>
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      <image:caption>POST/modern addresses how image-making mediates our understanding of the urban landscape in developing (or: underdeveloped) countries, and how that understanding impacts the physical forms which are impressed upon these landscapes.   Unwrapping the thing portrayed from the highly politicized mode of portrayal sets free an alternate narrative about the benefits of a fine-grained approach to urbanism in developing countries — one that celebrates informal settlements and the complex, vibrant urban fabric their inhabitants weave.</image:caption>
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      <image:caption>Deckler uses image-making to assemble information about building typologies that inform the design of his urban interventions – in this case, drawing on his studies of self-provided housing to create flexible small business spaces.</image:caption>
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      <image:caption>Rotival Papers, Yale Manuscripts and Archives</image:caption>
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      <image:caption>Rotival described the city as an organism. His relied on an understanding of Johannesburg as service center and "heart" of the region, with arteries reaching north and south to link up with supporting centers of industry and transportation. He assiduously drew graphs and charts calculating the flow of every conceivable piece of his urban system, like cells in a body. He documented the population by racial demographic and income, industry of employment and daily mode of transportation, even looking at various diets for of the vast throngs of miners that laborers that supported the city. He mapped migratory patterns of all Johannesburg's extractive industries, and graphed production. For him, these figures were stats not unlike heart rate and blood pressure: a way to chart an organism's health and predict what should be done in order to medicate. His use of biological metaphor, and the images it produced, lent a "scientific" validity that naturalized his plans for a Johannesburg that relied heavily on the exploitation of people and the environment.</image:caption>
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      <image:caption>For Deckler, organic growth is caused by the hundreds of small movements made by people as they act out their daily lives in physical space. It is this constant organization and reorganization of space that creates order and complexity, the patterns we recognize as urban culture.  As needs appear and are met, certain solutions form and repeat themselves: a threshold, a meeting space, a courtyard.  Deckler assiduously documents these characteristics, assembling them to build a city that users understand in predictable ways; Deckler system seeks to formalize the solutions that have arisen organically, rather than those that comprise ‘conventional’ city planning.  His careful observations of informal urban spaces give unprecedented weight to even the smallest and most insubstantial-seeming elements of urban design – the ragged edge of a corrugated tin wall, the tires thrown on top of the roof to hold it down. Deckler's investigation of Diepsloot township on the outskirts of Johannesburg, juxtaposes a view of the bustling street with a carefully drawn map of the settlement, which begins to reveal an urban fabric, organized around streets and courtyards. He focuses on various building typologies, beginning to deconstruct the uses encoded in the informally constructed space.  Here, he concludes that one typology offers a “highly flexible housing model with the yard functioning as a defensible semi-private space . . . the scale seems to encourage a communal ‘looking after’ each other’s children and property.’   Deckler notes the particular elements of each business or dwelling: the use of threshold, shade, decoration and signage, which, he asserts, “create human scale, shelter and identity with minimal means.” While Rotival, too, compiled documentation almost obsessively, his primary mode of recording information was the diagram — a form that necessarily required Rotival to filter his observations, re-configuring them in his own mental space.  Thus, while Rotival produced representations of space, Deckler comes much closer to capturing lived space.</image:caption>
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      <image:caption>SUP West Oakland! What do YOU see?</image:caption>
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      <image:caption>I served as a liaison between American Steel Studios and the City of Oakland to coordinate community outreach efforts for the West Oakland Specific Plan. Work included visioning and brainstorming, preparing presentations and slideshows, organizing community meetings, collecting data, and helping to make the public process more transparent. We used this collage as on our communications and social networking pages to represent the vibrant mix of community activities taking place in our neighborhood.  </image:caption>
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      <image:caption>Raindance Presents and Antennae killed it again for Chinese New Year at 1015 Folsom. Year of the Horse art and decorations by Emily Appelbaum, video by Kenny Hoff.</image:caption>
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      <image:title>Chinese New Year of the Horse at 1015 Folsom - DJ Booth in the Main Room</image:title>
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      <image:caption>The music drops and things get nuts at 1015 Folsom's Chinese New Year party, put on by Raindance Presents and Antennae. Year of the Horse art and decorations by Emily Appelbaum, video by Kenny Hoff.</image:caption>
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      <image:title>About - Education and Performance</image:title>
      <image:caption>Working with children through the Cleveland Museum of Art's Parade the Circle and Common Vision's Fruit Tree Tour</image:caption>
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    <image:image>
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      <image:title>About</image:title>
      <image:caption>Image: Charcoal, Pen and Ink mixed media map. From New Haven and the Urban Dérive, Yale '07.</image:caption>
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      <image:title>What I Do</image:title>
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      <image:title>What I Do</image:title>
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  <url>
    <loc>http://emily-appelbaum-zxq6.squarespace.com/journalism</loc>
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    <lastmod>2013-08-23</lastmod>
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    <loc>http://emily-appelbaum-zxq6.squarespace.com/urban-homesteaders-forge-ahead-despite-lack-of-r</loc>
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    <lastmod>2013-10-25</lastmod>
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      <image:title>Urban Homesteading in the Digital Age</image:title>
      <image:caption>Ruby Blume</image:caption>
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      <image:loc>https://static1.squarespace.com/static/51a3c4cce4b0d5c254dc18aa/51df6f5ce4b0c30b05998c71/51df6f5ee4b0c30b05998cbb/1373597546855/urban-homesteading-cover.jpg</image:loc>
      <image:title>Urban Homesteading in the Digital Age</image:title>
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      <image:title>Urban Homesteading in the Digital Age - Transient</image:title>
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    <loc>http://emily-appelbaum-zxq6.squarespace.com/services</loc>
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    <lastmod>2013-09-27</lastmod>
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      <image:title>Services</image:title>
      <image:caption>Full design portfolio available upon request.</image:caption>
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    <loc>http://emily-appelbaum-zxq6.squarespace.com/dark-fertile-chaos</loc>
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    <lastmod>2016-12-12</lastmod>
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    <loc>http://emily-appelbaum-zxq6.squarespace.com/the-derive</loc>
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    <lastmod>2013-07-15</lastmod>
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      <image:title>The Derive</image:title>
      <image:caption>Fragments taken from a  twenty-five foot long conceptual collage creating an experiential map from mixed media, and including a variety of drawing styles: blind contour, hardline, water-color and charcoal.</image:caption>
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      <image:title>Ordering of Worlds</image:title>
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      <image:title>Ordering of Worlds</image:title>
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      <image:title>Ordering of Worlds</image:title>
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    <loc>http://emily-appelbaum-zxq6.squarespace.com/the-physical-manifestations-of-society-forces</loc>
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    <lastmod>2013-09-28</lastmod>
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      <image:title>The Physical Manifestations of Society Forces</image:title>
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    <lastmod>2015-02-05</lastmod>
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